- "There are not many original shapes or silhouettes - only a million variations". Charles James.
- Charles James (1906-1978) was a and American, British-born fashion designer known as "America's First Couturier." He is widely considered to have been a master of cutting and is known for his highly structured aesthetic.
If you are in New York City or are you planning to come over this summer and you love fashion, you should visit "CHARLE S JAMES: Beyond Fashion" exhibition at the Metropolitan Museum of Art.
Now and after visiting this exhibition I understood why the name of it, "Beyond Fashion" a sample full of geniallity from a big of fashion, Charles James whom I consider was a great sculptor, engineer, and architect of fashion, and great artist that looked upon their dresses as works of arts and that year after year reworked original designs, ignoring the sacrosanct schedule of seasons, famous for his sculpted ballgowns, made of luxurious fabrics, their spiral dressses and their original white satin guilted jacket.
- James gives the final adjustments to this dress using a model when was Photographed by Cecil Beaton. Published in Vogue, March 1,1948.
According to Harold Koda, The Costume Institute curator in charge of the Costume Inatitute at the Metropolitan Museum of Art in New York since 2000, James "transformed fashion design" and his "many advancements included the spiral cut and the taxi dress (created in 1929 and so easy to wear it could be slipped on in the backseat of a taxi)."
James also "championed strapless in the Thirties; invented the figure-eight skirt, the puffer jacket and the Pavlovian waistband that expands after a meal, and was an early proponent of licensing." Christian Dior is "said to have credited James with inspiring The New Look."
- The designer of this lavish dress was Charles James, “master of color comparatives, of the cut and fold of exceptional cloths,” as Vogue wrote.
- In 1948, Cecil Beaton photographed a coterie of models for Vogue in the eighteenth-century drawing room of French & Company, a Manhattan antiques dealer, where models, with necks craned like swans in the composition were swathed in sculpturesque ball gowns of silk and satin, taffeta and velvet created by this talented designer.
This year, their work was the subject of the opening exhibition of the Metropolitan Museum of Art’s Anna Wintour Costume Center called CHARLES JAMES: Beyond Fashion.
At a preview of the exhibit, Elettra Wiedemann modeled a replica of the Clover Leaf ballgown James originally created for Austine Hearst. The original version was made for Austine Hearst to wear to the Eisenhower Inaugural Ball in January 1953, but it was not completed in time. She was, however, able to wear it to the coronation ball in London in June.
- Austine Hearst, wife of William Randolph Hearst Jr., wears the Clover leaft gown (1953) she commissioned. The original version was made for Austine Hearst to wear to the Eisenhower Inaugural Ball in January 1953, but it was not completed in time. She was, however, able to wear it to the coronation ball in London in June.
- Elettra Wiedemann modeling a replica of the Clover Leaf ballgown (1953) James originally created for Austine Hearst. It was the dress James ranked as the best of his creations.
At the preview event, the Costume Institute "detailed the designer’s significance today and showed a 1969 video of a James-led retrospective fashion show."
- This photograph taken by myself inside the exhibit with my cell cost me a scolding from a security guard but was worth it, in the glass is written one of the famous quotes from designer Charles James.
This is an interesting and educational exhibition, with excellent videos showing the patterns and the way of construction of the most significant designs from fashion designer Charles James. Wach the following video:
SOURCES:
- The Metropolitam Museum of Art.
- The New York Times.
- The New yorker.
- Eonline.com
- Voguepedia.
- Wikipedia.